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How
did a willing-to-please mama's boy from Decatur, Georgia,
grow up to become a nationally famous humorist? As
Mark Twain once observed, the secret source of humor
is suffering, not joy. In Be
Sweet (Knopf), Roy
Blount guides
us through his own life with the knowledge that between
happiness and sorrow, what we all want to come back to
is happiness. |
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Cities
of the Plain (Knopf),
the concluding volume of Cormac
McCarthy's Border Trilogy harkens back to
the first volume, All
the Pretty Horses,
and brings the youthful characters of that story into
the close of the horseback era that spawned them. McCarthy's
biblical narration and apocalyptic vision focus on
a love story between a cowboy and an epileptic whore
whose pimp will not let her go and on the friendships,
accommodations, and antipathies in life that spell
survival or death. A contemporary master of the novel,
McCarthy gives maximum meaning and pleasure to the
form. |
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Pictures
from an Institution, Randall
Jarrell's only novel, was hailed on its publication
in 1954 by Jean Stafford, James Agee, Robert Penn Warren,
William Carlos Williams, Marianne Moore, and many others
as a masterpiece of incisive satire. John Crowe Ransom
wrote in the
New York Times, " ... it is one of the funniest
American novels in three decades." A glorious send-up
of literary types and academia, Jarrell's novel is astonishing
for its range of insight into character and the intelligence,
poetry, amusement, and sheer brilliance of each of his
sentences. Sadly, the novel is out-of-print but can be
easily located via Bibliofind. |
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No
Other Book is
a retrospective collection of essays and occasional
pieces by poet,
novelist, and critic Randall
Jarrell, whom
Adam Gopnick recently praised in the New Yorker as
having already written everything (thirty years ago)
that Gopnick, looking ahead on his own career, had
hoped to write. Jarrell's literary and cultural
assessments read as if they were written today. His
perceptions are accurate; his spirit, nimble and genial
to the reader (if not always to the writers and subjects
under his criticism). |
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